A boy shows up in your bedroom, offers you some Fairy Dust, and takes you on a journey you will never forget. Peter, his drug-addled fairy “friend” Tweaker Bell, Pan’s Lost Boys, and the coked-out Darling children find themselves face-to-face with Captain Hook, so-named for an infamously missing appendage. I Do Believe in Fairies is a violent, ridiculous adventure that upends the mythical tale of the boy who never grew up.

I Do Believe in Fairies by Mark Thomas Johnson with Yoni Weiss and The Killer Darlings will be performed at Dixon Place on April 20 at 10pm.

Performed by The Killer Darlings: Ties JansenChance Riley KesterSam KorobkinTaylor LarsonTom PastorTamar RubinElizabeth Stater. Comprised of rebellious souls from the depths of lower Manhattan, The Killer Darlings work to contemporize and destroy the ideals of ridiculous theatre, queer theatre, musical theatre, devised theatre, paradoxical theatre, morally-depraved theatre, and theater theatre.

In Crowds Out Front, a politically charged accident involving a guest speaker at Howard Zinn Memorial High School pits a teacher against his students, his coworkers, and his husband. A tragicomedy about what happens when communication breaks down—and a school does too.

Crowds Out Front by Brandon Adam will be presented at Manhattan Theatre Club’s Creative Center on May 4, 2019.



Broadway’s brightest stars and hottest up and comers celebrate the legendary life of award-winning composer/lyricist and comedian Rusty Magee in an evening of his tuneful, heartfelt and hilarious music. An accomplished comedian, singer, actor, and composer/lyricist for theatre, television, film, and commercials, Rusty Magee was one of the most influential artists of Manhattan’s off-Broadway and cabaret scene, whose eclectic voice, style, and influence is still felt to this day. His works include the scores to ART’s Ubu Rock, MTC’s The Green Heart, Irish Rep’s The Irish…and How They Got That Way, and musical contributions to television shows like “Out of The Box” and “The Wubbulous World of Dr. Seuss.”

Join us as we uncover a musical treasure trove of unheard gems, world premiere songs, and old favorites like “New York Romance” and “Sweet Appreciation.” Featuring an all-star cast, a four-piece band, a collection of never before heard stories, and even some surprise guests, this concert promises to be an unforgettable evening for generations of young and old musical theatre fans alike.

Featuring: Joseph Allen, John Battagliese, LaDonna Burns (National Tour: Rent), Lynn Craig (Off-Broadway: Lazarus), Vincent DeSeno, Tony Award-winner Daisy Eagan (Broadway: The Secret Garden), Megan Griggs, James Anthony Hunsaker, Jordana Kagan, David Kelii Kahawaii, Sarah Kleist, Laura Laureano, Sarah Rachel Lazarus, Barrett Leddy, Nic Mains, Lorraine Brönte Magee, SP Monahan, and Rebecca Murillo.

Directed and Produced by Billy Recce (NYC: Balloon Boy the Musical), Co-Produced by Yoni Weiss, Musical Direction by Daniel M. Lincoln (Broadway: The Cher Show).

After performing regionally across the country and abroad Ben Lohrberg finally makes his New York cabaret and Feinstein’s/54 Below debut in Dream with Me. With his charming wit and “powerful, yet sweet vibrato” (Revue West Michigan), Ben sings the music of Leonard Bernstein, Jeff Buckley, Harry Nilsson, Stephen Sondheim, and many others to create a rich tapestry of dreams sure to ease your mind and melt your heart.

Featuring special guests Erin Mackey (Broadway: WickedAnything Goes), Marina Kondo, Sari Koppel, and Skylar Okerstrom-Lang.

Directed by Yoni Weiss, Music direction by Mark Hartman (Broadway: Sondheim on Sondheim, Avenue Q).

Animal Farm

A workshop exploration on human self-deception and power based on George Orwell’s Animal Farm. Directed by Veselka Kuncheva, designed by Marieta Golomehova with music composed by Hristo NamlievIn May/June of 2018, the Nostos Ensemble (@nostosensemble) traveled to Stara Zagora, Bulgaria for the first stage of the International Creative Lab: Orwell Studio, funded through the Bulgarian-American Exchange Program, administered by the Art Office Foundation, and supported by Pace School of Performing Arts. In September of 2018, the next stage of the laboratory culminated with the New York premiere of Animal Farm.


Pace School of Performing Arts’ International Performance Ensemble students presented their ensembles’ devised pieces in their second year of training. Devised and Performed by the Nostos Ensemble (@nostosensemble), Safer Than Home, directed/facilitated by Ianthe Demos (Off-Broadway: Please Excuse My Dear Aunt Sally) performed Off-Broadway at the Lion Theatre in Theatre Row before traveling internationally to Stara Zagora, Bulgaria to perform at the State Puppet Theatre of Stara Zagora.

A playground, a chess game, the locker room, Domeez camp, makeup tutorials, dating apps, subways, and dream ballets. Where do you go when home isn’t an option anymore?

HappyTime Headshots

As the Assistant Director for Kander & Ebb’s The Happy Time: 50th Anniversary Concert, Yoni worked alongside Tony Award winner Michael Rupert to celebrate his Broadway debut, fifty years later.

To commemorate its 50th anniversary of opening night on Broadway, Feinstein’s/54 Below brought back one of musical theater’s most romantic scores, The Happy Time. Broadway veteran, and original cast member, Tony Award winner Michael Rupert, takes audiences back to 1968 to rediscover one of the greatest scores from one of Broadway’s most accomplished teams, Tony Award winners John Kander and Fred Ebb (ChicagoCabaret).

Featuring an all-star cast including: Tony Award winner Debbie Gravitte (Broadway: Jerome Robbins BroadwayChicago), Tony Award winner Karen Ziemba (Broadway: ContactPrince of BroadwayCurtains), Tony Award winner Michael Rupert (Broadway: Sweet CharityPippinLegally Blonde), Jim Walton (Broadway: Merrily We Roll AlongShe Loves Me), Drama Desk Award winner Jim Brochu (Off-Broadway: Zero Hour), Claybourne Elder (Broadway: Sunday in the Park with GeorgeBonnie and Clyde), Kara Lindsay (Broadway: NewsiesWicked), Nic Rouleau (Broadway/West End/National Tour: The Book of Mormon), Iris Beaumier (Regional: The Marvelous WonderettesRagtime), Mary Callanan (Broadway: BandstandThe Bridges of Madison County), Alex Dorf (Regional: NewsiesMamma Mia!), Asher Dubin (Off-Broadway: The Body PoliticThe Babies, Feinstein’s/54 Below: 54 Sings Jane Eyre), Peyton Lusk (Broadway: Falsettos, Off-Broadway: Bar Mitzvah Boy), Jesse Markowitz (Regional: Avenue QHello, Dolly!), Janet Metz (Broadway: Fiddler on the RoofOnce Upon a Mattress, Off-Broadway: Falsettoland), Paris Alexander Nesbitt (National Tour: The Book of Mormon, Feinstein’s/54 Below: 54 Sings Jane Eyre), AJ Shively (Broadway: Bright StarLa Cage aux Folles), Cecelia Ticktin (Regional: Kiss Me, Kate), and Ryan Vona (Broadway: ParamourOnce)

Directed by Michael Rupert, Music Direction by Eugene Gwozdz, Produced by Robert W. Schneider, Assistant Directed by Yoni Weiss


Yoni was the Associate Director for 54 Sings Alice in Wonderland. The concert adaption by Jared Gray featured musical direction by Kevin David Thomas (Broadway: A Little Night Music, Les Miserables) and directed by Robbie Rozelle.

The 1985 made-for-television musical adaptation of Lewis Carroll’s Alice’s Adventures in Wonderland and Through the Looking-Glass is a special for the ages. The classic tale of a girl named Alice who follows a white rabbit down a hole into Wonderland, the incredibly imaginative Steve Allen (creator of The Tonight Show) score had never been performed live. Featuring an all-star cast of Broadway’s zaniest actors, Feinstein’s/54 Below revisited the songs of this musical touchstone for one performance only.

Starring Broadway’s zaniest actors, including Todd Buonopane (Broadway: Cinderella25th Annual…Spelling Bee, TV: 30 Rock), Dana Costello (Broadway: Finding NeverlandJekyll & Hyde, Feinstein’s/54 Below: 54 Sings Jane Eyre), Nathan Lee Graham (Broadway: Priscilla Queen of the Desert, The Wild Party, Off-Broadway: The View UpStairs), Amy Jo Jackson (Broadway: Kinky Boots), Amanda Kuchinski (Podcast: “Squirrel Friends Cocktail Hour”), Nikka Graff Lanzarone (Broadway: ChicagoWomen on the Verge…, Off-Broadway: Sweet Charity), Rob Maitner (Off-Broadway: Asymmetric, Urinetown), Alexis Michelle (TV: RuPaul’s Drag Race Season 9), Andrew Nielson (Feinstein’s/54 Below: 54 Sings Jane Eyre), Carly Ozard (“Midler on the Roof), Doug Plaut (TV: Unbreakable Kimmy Schmidt), Robert W. Schneider (Podcast: “Behind the Curtain: Broadway’s Living Legends”), Mavis Simpson-Ernst (Feinstein’s/54 Below: 54 Sings Jane Eyre, Off-Broadway: You’re a Good Man, Charlie Brown), and Steve Tipton.

Hester Street

Yoni worked as an assistant to the producer on a developmental reading of the new play Hester Street. Sarna Lapine, who directed the 2017 Broadway revival of Sunday in the Park With George, directed the reading. Plans for this stage adaptation, from producers Michael Rabinowitz and Ira Deutchman, were first announced in 2016. Playwright Sharyn Rothstein (By the WaterAll the Days) penned the script. Original music was written by Joel Waggoner.

The cast for this reading included: Tovah Feldshuh (Four-time Tony Award nominee and Drama Desk winner. Broadway: Golda’s BalconyIrena’s VowPippinLend Me a TenorYentl, TV: “Crazy Ex-Girlfriend,” “The Walking Dead”), Tedra Millan (Broadway: Present Laughter, Off-Broadway: The Wolves), Adam Kantor (Broadway: The Band’s VisitFiddler on the RoofNext to NormalRent), Roe Hartrampf (TV: “Person of Interest,” “Elementary,” “Madam Secretary”), Adam Danheisser (Broadway: OsloFiddler on the RoofRock of Ages), Heather Lind (TV: “Turn,” Broadway: The Merchant of Venice), Logan Schuyler Smith (TV: “Blindspot,” “Gotham”), Renata Friedman (Off-Broadway: If I Forget), Marilyn Sokol (Emmy winner. Broadway: Grease!, TV: “Sneak Peek”), Steve Vinovich (Broadway: All the WayLost in Yonkers, Film: “The Intern,” Television: “Hannah Montana,” “The Young and the Restless), and Steven Kaplan (Broadway: Act One, TV: “Smash”).

Yoni both Assistant Produced and Associate Directed 54 Sings Jane Eyre. The evening was directed and produced by Robbie Rozelle and music directed by Cameron Moncur.

Jane Eyre was produced on Broadway in 2000, featuring a book by John Caird and music and lyrics by Paul Gordon. Nominated for five Tony Awards including Best Musical, the Tony-nominated score was sung for the first time in New York since its premature departure sung by a dazzling cast.

The concert was led by Samantha Massell (Broadway: Fiddler on the Roof, Regional: Rags, The Hunchback of Notre Dame) as Jane Eyre, Kevin Massey (Broadway: A Gentleman’s Guide to Love and Murder, Memphis, Tarzan, Big River) as Edward Rochester, and original cast member Mary Stout (Broadway: Jane Eyre, Beauty and the Beast, My Favorite Year) revisiting her role as Mrs. Fairfax. Rounding out the cast were Celia Hottenstein (National Tour: The Phantom of the Opera, Off-Broadway: Desperate Measures), Dana Costello (Broadway: Finding Neverland, Jekyll & Hyde), Ryan Speakman (Jane Eyre 2017 workshop), Mavis Simpson-Ernst (Broadway: Evita, Off-Broadway: You’re a Good Man, Charlie Brown, Feinstein’s/54 Below: 54 Sings Alice in Wonderland), Clay Singer, and an ensemble comprised of Amisha Amy, Deirdre Donohue, Asher Dubin (Feinstein’s/54 Below: The Happy Time: 50th Anniversary Concert), Alexandra Frost, Alex Hartman, Sean C. White, Ethan Larsen, and Paris Alexander Nesbitt (Feinstein’s/54 Below: The Happy Time: 50th Anniversary Concert).


In this funny, fierce and heartbreaking homage to The Seagull, Steven Dietz puts Chekhov’s star-crossed lovers in a room and doesn’t let them out. In forty-three variations on their famous final scene, Nina (Alexandra Cockrell), a young actress, and Treplev (Michael Liebhauser), a young writer, pit their vibrant wit and soaring passions against one another in a fast-paced tour de force of romantic entanglement.

The Nina Variations was performed in New York City on February 16 and 17, 2018.

Directed by Yoni Weiss, associate directed by Sarah Hurley, featuring costume design by Alex Church-Gonzales, lighting design by Quentin Madia, photography by Noah DiRenzo, stage management by Noah Sarkowsky, assistant stage management by Tori Pierce, and an original score by Moya Aldridge.

More information available at Doghouse Ensemble Theatre